Not many artists could make Miss Lou and Anansi really feel like important summer season listening. On Di Genius’ Hill & Gully Riddim, Haitian-Jamaican newcomer Ayetian pulls it off with Donkey Name, delivering a folkloric dancehall reduce that rewards repeated performs.
Behind a few of dancehall’s largest information, four-time Grammy-winning producer and songwriter Di Genius is aware of how you can construct a stage price stepping onto. His propulsive Hill & Gully Riddim delivers exactly that for Ayetian, whose Donkey Name rolls in unapologetically Caribbean and wickedly humorous.
The riddim earns that confidence. Hill and Gully is an idea woven by generations of Jamaican music, its themes of motion, resilience, and the highs and lows of Caribbean life felt as a lot as heard.
UNAPOLOGETICALLY CARIBBEAN AND WICKEDLY FUNNY
Di Genius channels that custom into one thing unfastened and alive, and Ayetian, drawing on his personal Haitian-Jamaican roots, sounds fully at residence inside it.
Culturally, the observe runs deep. It roots its wit in Anansi folklore and Miss Lou’s yard-life storytelling. What emerges carries a cultural continuity that runs deeper than novelty alone. A observe like this tends to search out its individuals. Making good on that, Donkey Name is incomes its place because the standout reduce on the riddim.
Ayetian’s upcoming look at Atlanta’s Rum Island Pageant in July 2026 feels much less like a milestone than a logical subsequent step. That is an artist with this a lot to say.
ABOUT AYETIAN
Viral freestyles first caught the world’s consideration, however Ayetian’s endurance runs deeper. Born in Montego Bay to Haitian dad and mom, the 21-year-old blends genuine Caribbean storytelling with slick dancehall lyricism right into a sound quickly discovering its viewers.
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ABOUT DI GENIUS
Grammy Award-winning producer Stephen “Di Genius” McGregor grew up steeped in music. Son of reggae legend Freddie McGregor, the Kingston-born songwriter was already an acclaimed expertise at simply 18.
He has since written and produced for stars like Sean Paul and Shakira, with Billboard citing his work on Drake’s Controlla as pivotal in returning dancehall to the mainstream.
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