Sizwe Dhlomo Declares Teargas As SA’s Greatest Hip-Hop Group. Veteran media personality and hip-hop enthusiast, Sizwe Dhlomo, sparked conversation across social media with his bold statement that Teargas is the best hip-hop group South Africa has ever produced.
In a social media post, that quickly gained traction, Dhlomo compared Teargas to the legendary American group The Fugees, praising their influence and impact on the local hip-hop scene. “Teargas is the best Hip-Hop group we’ve ever had,” Dhlomo wrote. “Skwatta Kamp opened doors, yes. They are the Wu-Tang of this sh!t but Teargas are Fugees.”
The comparison highlights the unique contributions of both groups. Skwatta Kamp, often credited with pioneering the South African hip-hop scene, is likened to the Wu-Tang Clan, known for their groundbreaking and collective approach. Meanwhile, Teargas, known for their fusion of conscious lyrics with mainstream appeal, is compared to The Fugees, who mastered the balance between commercial success and lyrical depth.
Teargas consisted of K.O, Ma-E, and Ntukza and became a household name in the mid-2000s with hits like “Chance,” “Mhlobo Wami,” and “Party 101.” Their ability to address societal issues while delivering club hits made them a dominant force in the South African music industry.
Skwatta Kamp, on the other hand, is celebrated for paving the way for future generations of hip-hop artists. With tracks like “Umoya” and “The Clap Song,” they built a legacy that has left an indelible mark on South African hip-hop culture.
Sizwe Dhlomo’s statement reignites a long-standing debate within South African hip-hop circles about which group holds the crown. Both Teargas and Skwatta Kamp have undeniable contributions, but Dhlomo’s assertion points to Teargas’ ability to reach a broader audience while maintaining their authenticity.
The conversation sparked by Dhlomo’s tweet has led to discussions on social media, with fans weighing in on the legacy of both groups and their respective roles in shaping the industry.
Whether one agrees with Dhlomo’s assessment or not, there’s no denying that both Teargas and Skwatta Kamp have etched their names in the history of South African hip-hop.
