Social Media Reacts To Actress Itumeleng Bokaba Earning 59 Cents For Vocals On Kwesta’s “Mayibabo.” South African social media platforms have been buzzing with reactions following actress and former Rhythm City star, Itumeleng Bokaba‘s revelation that she was paid a mere 59 cents for her contribution to Kwesta’s hit song, “Mayibabo.” The news has sparked widespread discussions about artist compensation in the SA music industry.

Social Media Reacts To Actress Itumeleng Bokaba Earning 59 Cents For Vocals On Kwesta’s “Mayibabo”

Bokaba took to TikTok to share a screenshot of the royalty payment, which she received for her vocals on the 2016 track. “Mayibabo,” featuring Kwesta, DJ Maphorisa, DJ Bucks, and Okmalumkoolkat, became a massive hit upon its release, contributing to the success of Kwesta’s acclaimed album DaKAR II.

Itumeleng shared her journey of fighting tirelessly to claim what she believed was rightfully hers after contributing to the song. Despite her efforts, she ultimately lost the appeal. Nevertheless, she remains undeterred and is now focusing on making her mark in the music industry full-time, diligently working behind the scenes on exciting new projects.

“I fought for that song, but anyway I didn’t win, you dont win all of the battles in life it’s fine. I’m trying to launch my own music so it’s okay I will get there,” said Itulemeng Bokaba.

https://www.tiktok.com/@okashii_za/video/7417917020651457797?is_from_webapp=1&sender_device=pc&web_id=7218453198574781958

The minuscule payment sparked a wave of comments from fans and fellow artists alike. Some voiced concerns about the exploitation of contributing artists in the music industry, particularly those who may not have negotiated adequate contracts. Others highlighted the need for proper remuneration and transparency in royalty payments.

Kwesta has yet to respond publicly to Bokaba’s post, but fans have taken to social media to demand better compensation for artists who contribute to major tracks. Many pointed out that “Mayibabo” continues to receive radio play and streaming numbers, questioning how such low payments are possible in light of the song’s ongoing success.





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