Digital
The English singer, producer, and d.j. Nia Archives stands on the forefront of the trendy U.Okay. rave scene, working primarily in jungle and drum and bass. A uncommon star in a behind-the-decks career, she is each bellwether and ambassador for one of many extra area of interest music communities. Her 2024 début album, “Silence Is Loud,” sought to mix jungle with the Britpop of bands reminiscent of Blur and Oasis, and its extra reined-in sound allowed for the type of clearheaded introspection that the majority hit the dance ground to keep away from. In 2025, she launched her label Up Ya Archives for “every thing new gen junglism,” and, later this yr, she’s releasing “Emotional Junglist,” which guarantees to proceed her long-running subversion of raver norms.—Sheldon Pearce (Bowery Ballroom; Might 21.)
Films
Kara Younger and Mallori Johnson in “Is God Is.”{Photograph} by Patti Perret / Amazon MGM Studios
For her first characteristic, Aleshea Harris tailored and directed her 2018 play “Is God Is.” The film is a livid revenge thriller, wherein two younger ladies, fraternal twins, Racine (Kara Younger) and Anaia (Mallori Johnson), who’ve grievous burn scars from early childhood, are summoned to the bedside of their mom (Vivica A. Fox), whom they name God, and who’s equally scarred. God reveals that the perpetrator is their long-absent father—and she or he orders them to seek out him and kill him. The sisters’ mission includes a harmful and violent street journey; the fierce Racine outdoes the delicate Anaia in her bloodlust, and the drama, harking back to classical tragedy, resounds with mythopoetic overtones. If the outcomes are longer on motion than on substance, they’re nonetheless harrowing and haunting.—Richard Brody (In extensive launch.)
Films
The sardonic comedy “Clockwatchers,” from 1997, observes workplace life from the attitude of 4 secretarial temps whose day by day tribulations reveal bureaucratic absurdities and cruelties in motion. Iris (Toni Collette), a brand new temp at a credit score firm, shortly bonds along with her colleagues: Margaret (Parker Posey), whose derision is matched by ambition; Paula (Lisa Kudrow), an aspiring actress whose optimism masks despair; and Jane (Alanna Ubach), whose goals heart on her impending marriage. The ladies are blithely dismissive of their tedious work, however their relationships fray beneath new stresses—together with intrusive surveillance. The director, Jill Sprecher, movies these antics like a live-action cartoon, with giddy photographs and spritzy performances which can be nonetheless poignant.—R.B. (Metrograph, Might 17, launched by John Early, and streaming on the Criterion Channel.)
