DJ Clen Declares “TOO VIRAL” The Benchmark For DJ Albums, Sparks Lighthearted Exchange with DJ Speedsta. DJ Clen has sparked a lively conversation within South Africa’s hip-hop scene with a bold proclamation about his latest album, TOO VIRAL.

DJ Clen Declares “TOO VIRAL” The Benchmark For DJ Albums, Sparks Lighthearted Exchange with DJ Speedsta

Taking to social media, DJ Clen confidently asserted that any DJ album released in the future should be measured against the standards set by TOO VIRAL. “From now on any album that’s gonna come out from a DJ must be benchmarked by “TOO VIRAL” for it to be the best. TOO VIRAL surpassed every DJ album that ever dropped,” he declared unapologetically, adding, “Cry me a river if you disagree. I don’t give a [explicit].”

The statement, as unapologetic as it was confident, ignited discussions among fans and industry peers alike. One of the notable responses came from DJ Speedsta, who replied with humour, “@DjClenSA wa ‘Speeta’ mfanaka! 😂 Relax! 👊,” a lighthearted call for Clen to tone down his spirited claims.

In an amusing twist, DJ Clen responded to Speedsta’s jab with an equally playful tone, saying, “Lol eish mara I said sorry mos my brada😭😭😂 Don’t kill me. Jody khuza’d me. Sang kwatela abuti😂😂🫶🏾🫶🏾✊🏾.” The back-and-forth between the two DJs showcased a camaraderie rooted in respect and banter, a hallmark of South Africa’s close-knit hip-hop and music scene.

DJ Speedsta‘s response carried weight, given his significant contributions to South African hip-hop. His 2017 album, Bottlebrush Street, and iconic tracks like Mayo—a collaboration featuring Yung Swiss, Frank Casino, Shane Eagle, and Tellaman—cemented his reputation as a pioneer in DJ-driven projects. Speedsta has consistently championed local talent, offering a platform for emerging voices in the industry. His rebuttal subtly reminded Clen and fans of his impact on shaping the genre, while his lighthearted tone kept the exchange friendly.

DJ Clen’s Too Viral has undeniably made waves, featuring collaborations with heavyweights like Blxckie, Nasty C, and A-Reece. While his initial claim may have ruffled feathers, it also reignited appreciation for DJ albums as crucial vehicles in the South African music industry.





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